March 2003 Archives
Fav. track off new 'heads (radio, not talking) album: A punch up at the wedding.
In case you hadn't heard. Radiohead's new CD is available from your nearest copyright infringing outlet. Mine's an alt.binaries.sounds. mp3.complete_cd
Three Degrees: When will I see you again.
Finally integrated Andromeda into the site's look 'n' feel. Andromeda's a nifty piece of PHP software to organise and stream audio files on your site. I'm using a free fully working beta that's no longer available. The current demo version only plays every other mp3. The newer version cheapest option costs 35 dollars.
If there's one thing the Hothouse Flowers' did well, it was b-sides. This Gil Scott Heron cover, Better Days Ahead, is just gorgeous.
The Hothouse Flowers 'People' is one of the best debut albums I've heard. They got their start on U2's failed 'Mother' records and then a big break playing 'Don't Go' live during the intermission of 1988's Eurovision songfestival - foreshadowing Riverdance's later success in that same spot. There's an audience out there just craving celtic fulfillment. The album delivered on the band's obvious promise. A timeless disc that hints at their live prowess, with slight hippy influences and one or two filler tracks, but otherwise an abundance of uplifting tunes touching on people-themes. Life, love and everything, you know, beautifully brought to you by Liam's Buckley-esque tones. The band dominated the Dublin scene in the early 90s. Too bad they went entirely up their own arse almost immediately after - they've released a string of directionless shite since and ditched their fabulous saxophonist and talented drummer. Still, check out 'People' if you get the chance.
I can't find a proper picture, but this'll do: Bordeau Chesnel - La véritable rillette du Mans. Rillette is "a soft shredded pork slow-cooked and preserved in pork fat". It's probably very, very bad for you - but it's incredibly tasty especially on sour dough bread. The ridiculously expensive butcher on Utrechtsestraat in Amsterdam makes his own. I got a chunk of it plus some of their bread for lunch.
'It's the middle of the night over there, isn't it?' I heard today - but Iraq's only GMT+3. I joked 'they're basically our neighbours', but I meant it.
"When did u support d Clash?"
"78 and we was great."
"ok, thanx"
"Why d Clash, u know i have cred"
"jus checkn. mmmmplastic pants..."
"and dey split revealin d real spire..."
"well, a miniature version..."
":-)"
I often wonder why I can't write big essays, have big thoughts. Have an opinion with something to back it up. (like Tom, or Jason who can write stuff and make a lot of sense to me.) Perhaps because I didn't go to university. I'm not an academic and I don't dissect things academically. Big scary gut feelings get in the way of my thinking -- well that, and a reluctance to read the papers on a regular basis for something other than the music reviews. All I know is right now I think we should be frightened. I know I am. 'Where is Raed' (a blog from Iraq) has two entries (1, 2) that are making a lot of sense to me too.
12 years ago I spent most of the Gulf War glued to our dinky TV, eventhough we weren't shown a damn thing. It was the only source of information we had. Detachment occurred. Watching bombings as if they were fireworks -- sipping our tea on the couch. "Holy cow!" But the older you get... Things are different. The world is smaller. Then we had 'the Iraqis', now we have one bloke in Bagdad writing entries while the troops are crossing the border. When the bombs fall, it's on our heads too.
As a child touching age we think that its so
That life love and everything is easy to know
The old, they can't reach us,
Their ways are not ours
Though they furrowed our futures
Our freedom they bore
The older we get the further we see
The more we mean to each other
The more you mean to me
I believe in these people
I believe in this age
Though I hear about torment in life's lonely page
Yet still we walk strong
We'll remember we're free
For the truth we are given
For what we believe
Chorus: The older...
I have searched out the answers
To the mysteries the laws
Though I still find barriers
Yet still I would fall
But I struggle on
The truth that I seek
But I must remain strong
For the lonely the weak the weak the old
( streaming mp3)
O'Maonlai/O'Braonain/O'Toole 1988
Oh the child bride, in her nightie...
She can't be more than 17, pushing her pram onto the metro. She and her partner sit down at the back of the carriage.
She's Asian, Thai perhaps or one of the Indonesian islands and he's a Dutchman twice her age and twice her size. They clash in every way. Management material and Lolita from the kampong. He's in a dark blue wooly coat, a quiet man. She's wearing teenage clobber and she's bubbly.
He minds the beautiful boy they made, she doesn't.
She chatters all the time, in a language that approaches English, about girlie things. Shopping, jeans, boots, shawls. He listens with just half an ear.
"How many drinks did you have?", he asks, kissing the baby's head. She doesn't understand.
Speaking a little more slowly he rephrases the question. "Wine. How many glasses?"
She puts up two fingers, giggling.
Catalogue romance or true love?
I wonder what their story is.
Mister Johnny Cash covers The First Time Ever I Saw Your Face: And the moon and the stars were the gifts you gave. To the night and the empty skies my love.
Over drinks in last night, I told my companion 'Have you noticed, this place is full of... (stage whisper) older women?' Just like ourselves.
Older women meeting other older women. Money in the pocket. Cup of tea, glass of wine. How are you? I'm fine.
I am fine. Upstanding citizen. Deep down a prude. Not a vice to speak of. Never done an A-class drug.
"You are boring," the younger friend once said. But he's dead.
I'm alive. I struggle with the notion of the green eyed monster. It starts kicking and screaming each time that young one rears her pretty little head. Half my age, a million times my fortune. Oh envy. Oh want. Oh achy breaky heart and little sodding death.
But does it matter, really, when he does remember every single thing I tell him true or false? And he does regale me, all stream-of-concious-like, of all his one-step-forwards, two-steps-backs?
Oh man, oh victim of the power dress, oh traitor, oh turn coat, oh heroes always disappoint you in the end. But he hasn't.
Does it matter when we spin our mad tales for each other, mickey taking, side splitting, for fun, in jest, in awe: "First the Oscars, then he'll stop the war. He'll sit them down, make them talk and guarantee world peace. Then he'll succeed the Dalai Lama."
We are older people still making like the play ground. Make each other laugh. And love.
Oh manchild to my matriarch. Oh brother, uncle, son.
Does it? Matter?
I think not.
Two tips I got I haven't been able to check out yet. The City of God soundtrack and Junior Senior (... supposed to be very tacky and apparently I'll hate it cause I hated the Flaming Lips). Fab website, though.
With the cocaine and Courvoisier, But you build more bombs as you get more bold, As your mid-life crisis war unfolds, All you want to do is take control. In A World Gone Mad. "This song is not an anti-American or pro-Saddam Hussein statement. This is a statement against an unjustified war." - Adam Horovitz. The Beastie Boys' old-school statement.
I met St. Brendan of Sir John Rogerson's Quay in a pub, on a Monday, Tuesday, Wednesday, any day. Does it matter when? We met. It was a day like any other.
I was sitting there, drinking. On my own. My shoulders hunched up, muscles tight, aware, defences up, like a snail in a shell, like a little hedgehog curled up. Alone. St. Brendan came in with a friend, the two of them bound by booze-induced silence. Composed and deliberate, he sat down, misjudging the distance by an inch: Thud!
He sat still for a while, then ordered drinks for himself and younger friend -- even more drunk, a glazed look in his eyes. St. Brendan was skinny, forty-ish, badly dressed. Thin hair of indefinite colour. A shabby Irishman. He looked like he had just been raking dung, or flogging sheep at a market. I glanced at them over my drink, a bit shy, sussing them out. The verdict: quiet drunks, not dangerous. St. Brendan caught my eye, he sneers, he puts me down.
'Pfff,' says he, and sips his drink. Immediately I'm sorry that I even glanced. I look into my pint and know my evening will be spoilt. I can see him shaking his head. 'Shit,' I think, 'now I've done it.'
'Why are you iffy?' St. Brendan says. I feel a finger within that question, prodding me accusingly.
'I'm not.'
'Yes, you are.'
'I'm not iffy.'
'You're iffy.'
He is probably right and he prods on, shamelessly. I get annoyed, because the more he asks, the more I begin to believe he is right, and I start questioning myself. Why am I iffy? What's iffy, exactly? His hands go up.
'Sorry... sorry... I talk too much,' he pauses, 'still, you're iffy.' He laughs. He thinks he's funny. I suppose he is. I look into my drink some more.
'So what do you do?'
He won't let go.
'I'm here for two months.'
'And?'
'I start a new job when I go back.'
'Yeah, and?'
He somehow knows I'm holding back on him? I hesitate. I feel pretentious when I say my next line.
'I write.'
He nods as if he knew what the answer was going to be.
'What do you write?'
'Things...,' again I hesitate, take a deep breath and say: 'I've written a book.'
'What about?'
'Uh, it's about uh, it's sort of a biography.'
'About who?'
Excellent! Luka Bloom's concert in the Carre in Amsterdam in 2002 - which I attended, enjoyed but neglected to record, will be released on CD in April.
See the winner of the Dutch National Songfestival, Esther Hart.
See both clips (male 1/female 2) for Massive Attack's Special Cases (sung by Sinead O'Connor) on the VPRO site.
A river in a time of dryness
A harbour in the tempest
... your story to remain untold.
He doesn't deserve it, but I couldn't resist. Ordered "The Ziggy Collection", a set of enamel badges, for a friend. Cause giving's better than receiving.