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My most played albums of 2009

According to Last.FM these are the albums I listened to the most in 2009. Not all of them were released in 2009, ‘Eden Ahbez – Eden’s Island’ in particular, which is from 1960.

I don’t listen to music as intensely now and I couldn’t tell you the titles of the songs of many of these albums, let alone what they’re about. I couldn’t tell you much about the bands or artists either. And I don’t pay as much attention to lyrics as I used to. Music plays while I’m doing something else and I don’t wallow in it. Occasionally a phrase will stand out, but I’m going mostly by melody now. So consider these the best melodies I heard in 2009.

U2 are the odd one out in a field of not so widely knowns. I don’t agree with Rolling Stone all too often, but yes, I too think Moment of Surrender is the best piece of music that I’ve heard this year, and possibly the best piece of music U2 have ever written and Bono’s ever sung. It should have been the single.

  1. The Airborne Toxic Event – The Airborne Toxic Event
  2. A Mountain Of One – Institute of Joy
  3. M83 – Saturdays = Youth
  4. Eden Ahbez – Eden’s Island
  5. Moderat – Moderat
  6. Darker My Love – 2
  7. Reverend and The Makers – A French Kiss In The Chaos
  8. The Black Atlantic – Reverence For Fallen Trees
  9. U2 – No Line on the Horizon
  10. TV on the Radio – Dear Science

Other albums I listened to that didn’t make top 10:

Bat for Lashes – Two Suns, La Roux – La Roux, Masters of Reality – Pine, M83 – Before the dawn heals us, The Horrors – Primary Colours, MGMT – Oracular Spectacular, Empire State Human – Audio Gothic, Kings of Leon – Aha Shake Heartbreak, Wild Beasts – Two Dancers, Yeah Yeah Yeahs – It’s Blitz!, Martha Wainwright – Martha Wainwright, Noah and the Whale – The First Days of Spring, Soulsavers – Broken, The xx – xx, Julian Plenti – Julian Plenti is skyscraper, Joe Henry – Blood from stars, TV Ghost – Cold Fish, White Lies – To Lose my life

Bat for Lashes, Melkweg, Amsterdam



Bat for Lashes, originally uploaded by Caroline.

Natasha Khan’s tom-boyish, goofy performance was alright and the music was solid and I loved the way she dressed her stage… but I wasn’t feeling it. I hear so many other artists in her music and voice, and I’m not sure what makes Khan’s music hers. I kept thinking ‘Sounds like Tori Amos sounding like Kate Bush, not as distinctive’, ‘Sounds like Sinead… not as other wordly’, ‘Gosh, this is very Olwen Fouere’, (Who?), ‘Bit of Bjork, not as barking…’ I left before the end of the show. Ben Christophers played keyboards in the band. I wouldn’t mind seeing him again.

12 Favourite covers

Crossposted from Facebook where this has been going round as a meme.

My Death – David Bowie (Jacques Brel)
It was a toss up between his cover of Wild is the wind (Johnny Mathis) and this one. Used to hear this on the radio and learnt of ‘Baal’ and ‘Brecht’ through Bowie when the LP was released in 81/82.

Coil – Tainted Love (Soft Cell)

Coil completely decontructs Soft Cell’s dance floor hit, creating an elegy in the decade AIDS started making headlines.

Nature Boy – Jose Feliciano (Nat King Cole, et al)
I first heard this song in summer camp in 78 or so. It was played to me on guitar by a guy called Hans, he was one of the camp leaders. He tried to teach me how to play it, but I only mastered the jazzy chords a few years later. I found the song, which has been covered by many, on a Jose Feliciano album I found in our library. Since it’s the first cover I heard, it remains my favourite – though I haven’t heard it in years.

What Makes a Man a Man – Marc Almond (Charles Aznavour)
Almond brings more tears and a sob to this song than the slightly more understated Aznavour.

Lovelight – Robbie Williams (Lewis Taylor)
I was tempted to pick Robbie’s cover of The Human League’s Louise off of the same album, but went with Lovelight instead, because I didn’t know the song before I heard Robbie sing it. It’s one of those Hi-NRG songs I can’t get enough of lately.

Les Filles du bord de mer – Arno (Adamo)
This will probably be fairly unknown outside of Europe, in fact I didn’t know the song before I heard the Belgian singer Arno (ex-TC Matic) sing it live. It’s a crowd pleaser. Arno’s version slows it down, drags it out, makes it great.

Night and day – U2 (Cole Porter/Frank Sinatra)
Recorded for the Red, Hot and Blue album in support of AIDS charities and accompanied by a stupid video, this is one of my favourite U2 recordings. Obsessive love songs are the best.

Paper Thin Hotel – Fatima Mansions (Leonard Cohen)
Cathal Coughlan turns Paper Thin Hotel’s jealous lover into an axe-murderer. A left over from the sessions for the Cohen tribute album ‘I’m your man’, released on a sampler given away at FNAC.

Brother can you spare a dime – George Michael (Bing Crosby, et al)
Almost went with Somebody to love (Queen), but I’m really not that keen on the song, eventhough George covered it so brilliantly at Wembley. Anyway, I just wanted to include him. Love his voice.

Scorn not his simplicity – Sinead O’Connor (Phil Coulter/Luke Kelly)
Written by Coulter for his disabled son and occasionally sung by The Dubliner’s Luke Kelly. There’s many songs Sinead’s covered that I could have picked, not in the least Prince’s Nothing Compares to You, but this one is pure and lovely.

Better Days Ahead – Hothouse Flowers (Gil Scott-Heron)
A slow burner, a plea for love in times of trouble. Liam O’Maoinlai at his best, I think, forever hovering on the good side of sharp. It has a sax-solo that doesn’t get on my nerves. It was an extra song on the Flowers’ I can see clearly now-single, also a cover. I don’t remember ever hearing the original.

Heartbreak Hotel – John Cale (Elvis Presley)
John Cale has done my favourite cover of Hallelujah, the first version of it that I ever heard, long, long before it became fodder for the idols. But I’m picking his Heartbreak Hotel, because it takes a great song, demolishes it, and then rebuilds it. Really brings out the despair, as well.

By this river – Gavin Friday (Brian Eno)
Can’t have a list like this without our Gav. He picks a song, takes a good look at it from all sides, then twists himself inside of it until he thinks he wrote it. Then he makes you believe the same. He’s done that to Sinatra’s Cycles, Coldplay’s Yellow, Brel’s Amsterdam and Next, to Blue Velvet, Nina Simone’s Four Women, Hot Chocolate’s Put your love in me, his extraordinary cover of Singin in the rain, and many, many Kurt Weill classics. But I’m picking this more recent song, because it’s such an odd one out, and one of his best vocals.

Some of these songs, or their orginals, can be heard on this playlist I made in Spotify

On selling out

Every time an established act brings out a new album, part of their fandom cries out ‘They’ve sold out!’

It invariably means the band’s music has evolved and those fans haven’t. The music is simply no longer to their taste.

Perhaps the real ’sell out’ occurs when the world evolves and the band does not change with it.

The Handsomest Drowned man in Paris

The handsomest drowned man in the world
Richard Harwood, Finghin Collins, Elizabeth Cooney, Carol McGonnell, Ian Wilson and Gavin Friday during rehearsals.

One more time before the new year I followed the music abroad, bringing me to a bitter cold Paris for a third time this year.

Though I found the second part of the concert, Messiaen’s Quartet for the End of Time, a little hard going, I did enjoy Gavin Friday’s narration of Marquez’s ‘The Handsomest Drowned Man in the World’ as set to music by composer Ian Wilson better than I did the first time I saw it, in Brighton. It was the venue’s ‘recital’ setting, placing the musicians amidst the audience, that much improved the sound and intimacy. Gavin, hindered by the low lights and the yellow marker ‘popping’ on his print out, fluffed up a few times, but he also hit some sweet marks. Particularly the part of the text that goes ‘and the hidden strength of his heart popped the buttons on his shirt’.

Afterwards musicians, crew, friends – among which the lovely Fiachna O Braonain – and yours truly retired to a restaurant cellar where rustic food, sangria, wine, calvados and hearty laughter kept us warm, happy, handsome and quite, quite drowned.

Surrounded by Irishmen and women, I sometimes got a little lost – this Dutch fallen Prod doesn’t really ‘get’ the holy Host or Mise Éire, but it’s endlessly fascinating nonetheless and somehow I always feel more at home than I do amongst my own.

“While they fought for the privilege of carrying him on their shoulders along the steep escarpment by the cliffs, men and women became aware for the first time of the desolation of their streets, the dryness of their courtyards, the narrowness of their dreams as they faced the splendor and beauty of their drowned man.” Gabriel Garcia Marquez – The Handsomest Drowned Man in the World, set to music by composer Ian Wilson. Performed at the at the Centre Culturel Irlandais in Paris on October 9, 2008.

More pictures of The Handsomest Drowned Man in the World

dEUS does exist

dEUS - Tom Barman

dEUS’ frontman Tom Barman ignoring the smoking ban at the Paradiso in Amsterdam. Seen on December 4, 2008.

View more of my dEUS photo’s on Flickr.

I’ll punch a donkey in the streets of Galway

Drifting and Tilting – The Songs of Scott Walker
Barbican Theatre, November 13, 14, 15

review to follow

Holy cow I’ve seen the light

Guy Garvey’s a perfectionist. One of those type of singers whose entire experience of a show can be ruined by missing one single note. When he does that at the end of a particularly taxing and otherwise perfectly angelic song, the disappointment is clear on his face. ‘No worries, mate,’ someone shouts.

There’s bands that make you want to dance, and bands that make you want to shoe gaze, bands that make you angry and bands that make you want to take to the barricades. Elbow’s a band that makes me think of everybody and everything I’ve ever loved in my entire life, family, friends, lovers, entire cities, and make me love them even more.

Throw those curtains wide!

Bookmarks for August 26th through August 27th

These are my links for August 26th through August 27th:

Hark, the herald angel sings


(Not the Amsterdam show)

The minute Elbow started their show with most of the band members blowing trumpets, I knew we were in for a treat. I’ve loved Guy Garvey’s voice from the moment I first heard Leader of the free world on MTV, but I’d never seen the band live before.

This was my first show in a long time. I’ve been lazy about going to gigs, skipping most of the
ones I’d bought tickets for this year. I’m glad it was a good one.

There’s something quite moving about Elbow’s songs and Garvey’s voice in particular, which is often compared to Peter Gabriel’s. I hear it too. It’s that other wordly vibe that Gabriel has in spades. It’s more subtle in Elbow’s lead singer, but it still affects my tear ducts. I felt myself welling up a number of times, particularly during the first 15 minutes of the show.

Elbow is a band I like, but have never invested in before. Haven’t bought their albums, haven’t learned their history. I didn’t even know the singer’s name before last night. I don’t know what the songs are about, but now I’m eager to find out.

No pro cameras allowed at this show, so I only took a couple.

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